Bibliography of Chinese Music Research in English Books
● Allen, J.R. In the Voice of Others: Chinese Music Bureau Poetry.Michigan Monographs in Chinese Studies. Ann Arbor, Mich.: Center for Chinese Studies, University of Michigan, 1992.
● Avshalomov, J.A.A. Avshalomovs’ Winding Way: Composers out of China: A Chronicle.Philadelphia, PA: Xlibris, 2001.
● Baranovitch, N. China’s New Voices: Popular Music, Ethnicity, Gender, and Politics,1978—1997. Berkeley: University of California Press, 2003.
● Barkin, E., L. Hamessley, and B. Boretz. Audible Traces: Gender, Identity, and Music.Zürich; Los Angeles: Carciofoli, 1999.
● Berger, H.M., and M.T. Carroll.Global Pop, Local Language. Jackson: University of Mississippi Press, 2003.
● Birrell, A.China’s Bawdy: The Pop Songs of China, 4th—5th Century. Cambridge:McGuiness China Monographs, 2008.
---. China’s Bawdy: The Yangtze Songbook 4th—5th Century. Cambridge: McGuinness China Monographs, 2012.
● Brand, M. The Teaching of Music in Nine Asian Nations: Comparing Approaches to Music Education. Lewiston, NY: E.Mellen Press, 2006.
● Brindley, E. Music, Cosmology, and the Politics of Harmony in Early China. SUNY Series in Chinese Philosophy and Culture. Albany: State University of New York Press, 2012.
● Campbell, J. Red Rock: The Long, Strange March of Chinese Rock & Roll. Hong Kong:Earnshaw Books, 2011.
● Candelaria, F.H. Chinese Chamber Music. Coquitlam, B.C.: Cacanadadada Press, 1989.
● Chan, K.B. Chinese Entertainment. London: Routledge, 2012.
● Chen, P.Y. Fan Bai: Chinese Buddhist Monastic Chants.Recent Researches in the Oral Traditions of Music; 8. Middleton, Wis.: A-R Editions, Inc, 2010.
● Cheung, H.Y., and K.C. Wong. Reading Chinese Music and Beyond. Hong Kong: Chinese Civilisation Centre, City University of Hong Kong, 2010.
● Cho, G.J. The Discovery of Musical Equal Temperament in China and Europe in the Sixteenth Century. Lewiston, NY: E.Mellen Press, 2003.
● Clinch, D. When the Iron Bird Flies: Tibetan Freedom Concerts, 1996—1999. New York:RSIB, 2000.
● Du, Y.X. Ritual Music in a North China Village: The Continuing Confucian and Buddhist Heritage. Chinese Music Monograph Series.1st ed. Chicago: Chinese Music Society of North America, 2004.
● Duchesne, I. Red Boat on the Canal: Cantonese Opera in New York Chinatown. New York:Museum of Chinese in the Americas, 2000.
● Everett, Y.U., and F. Lau. Locating East Asia in Western Art Music. Music/Culture.Middletown, Conn.: Wesleyan University Press, 2004.
● Galliano, L., and European Foundation for Chinese Music Research International Conference. Power, Beauty and Meaning: Eight Studies on Chinese Music. Orientalia Venetiana. Firenze: L.S.Olschki, 2005.
● Green, E., and L. Liang. China and the West: The Birth of a New Music. Basingstoke,Hampshire, UK: Taylor & Francis, 2007.
● Guy, N. Peking Opera and Politics in Taiwan. Urbana, Champaign: University of Illinois Press, 2005.
● Harris, R. The Making of a Musical Canon in Chinese Central Asia: the Uyghur Twelve Muqam. Aldershot, England; Burlington, VT: Ashgate, 2008.
---. Singing the Village: Music, Memory and Ritual among the Sibe of Xinjiang. Oxford:Oxford University Press, 2004.
● Huang, Q.Z. The Age of Shanghainese Pops: 1930—1970. Hong Kong: Joint Publishing(H.K.) Co., 2001.
● Idema, W.L., M. van Crevel, T.Y. Tan, and M. Hockx. Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema. Sinica Leidensia, Leiden ;Boston: Brill, 2009.
● Idema, W.L. Passion, Poverty and Travel: Traditional Hakka Songs and Ballads. Hackensack,NJ: World Century Publishing Corporation, 2015.
● International Council for Traditional Music. Interpretation of the Traditional Chinese Music:Chinese Scholars’ Contributions. Fujian, China: International Council for Traditional Music,2004.
● Jin, J. Chinese Music. Introductions to Chinese Culture.Updated ed. Cambridge, UK; New York: Cambridge University Press, 2011.
● Jones, A.F. Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music.Cornell East Asia Series. Ithaca, NY: East Asia Program, Cornell University, 1992.
---. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham,NC: Duke University Press, 2001.
● Jones, S. Ritual and Music of North China: Shawm Bands in Shanxi. Aldershot, Hampshire,England ; Burlington, VT : Ashgate,2007.
---. Plucking the Winds: Lives of Village Musicians in Old and New China. Leiden: CHIME Foundation, 2004.
---. Folk Music of China: Living Instrumental Traditions. Oxford: Clarendon Press & New York: Oxford University Press, 1998.
● Ko, K. C. An Analysis of Sociomusicology, Its Issues; and the Music and Society in Hong Kong. Hong Kong: Ko Ka Shing, 2011.
● Kuttner, F.A. The Archaeology of Music in Ancient China: 2000 Years of Acoustical Experimentation 1400 B.C.—A.D.750. New York: Paragon House, 1990.
● Lai, E. The Music of Chou Wen-Chung. Farnham: Ashgate, 2009.
● Lam, S.C. State Sacrifices and Music in Ming China: Orthodoxy, Creativity, and Expressiveness. Albany, NY: State University of New York Press, 1998.
● Lau, F. Music in China: Experiencing Music, Expressing Culture. Global Music Series.New York: Oxford University Press, 2008.
● Lee, T.S. Chinese Street Opera in Singapore. Urbana, IL: University of Illinois Press, 2008.
● Lee, G.B. Troubadours, Trumpeters, Troubled Makers: Lyricism, Nationalism and Hybridity in China and Its Others. London: Hurst, 1996.
● Lee, G. Cultural Heritage of Singapore: Local Cinemas and Music. Singapore: National Library Board, Lee Kong Chian Reference Library, 2006.
● Lee, W.K. Chinese Composers, Western Piano Works Unpacking Aspects of Musical Influence. Saarbrücken, Switzerland: VDM Verlag Dr.Müller, 2007.
---. Operatic China: Staging Chinese Identity across the Pacific. New York: Palgrave Macmillan, 2006.
● Lee, Y.Y., and S.Y. Shen. Chinese Musical Instruments. Chinese Music Monograph Series.1st ed. Chicago: Chinese Music Society of North America, 1999.
● Li, Y.X. The Music of the Chinese Ethnic Minorities. Beijing: Wuzhou chuanbo chubanshe,2006.
● Li, X. Chinese Kunqu Opera. San Francisco: Long River Press, 2005.
● Lin, H.Y. Taiwanese Opera. Taipei: Government Information Office, 2006.
● Liu, J.Z., H. Woo, H.Y. Chan, and G. A. Predota. New Music in China and the C.C.Liu Collection at the University of Hong Kong. Hong Kong: Hong Kong University Press, 2005.
● Liu, J.Z., and C. Mason. A Critical History of New Music in China. [In Text in English translated from Chinese.] Hong Kong: Chinese University Press, 2010.
● Lowry, K.A. The Tapestry of Popular Songs in 16th- and 17th-Century China: Reading,Imitation, and Desire. Sinica Leidensia, V.69. Leiden: Brill, 2005.
● Mackerras, C. Peking Opera. Hong Kong & New York: Oxford University Press, 1997.(www.xing528.com)
● Melvin, S., and J.D. Cai. Rhapsody in Red: How Classical Music Became Chinese. New York: Algora Pub., 2004.
● Moon, K.R. Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s—1920s. New Brunswick, N.J.: Rutgers University Press, 2005.
● Moskowitz, M.L. Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations. Honolulu: University of Hawai’i Press, 2010.
● Myers, J. The Way of the Pipa: Structure and Imagery in Chinese Lute Music. World Musics. Kent, Ohio: Kent State University Press, 1992.
● Napier-Bell, S. I’m Coming to Take You to Lunch: A Fantastic Tale of Boys, Booze and How Wham! Were Sold to China. London: Ebury, 2006.
● Ōki, Y., P. Santangelo, and M.L. Feng. Shan’ge, the “Mountain Songs”: Love Songs in Ming China. [In Text in Suzhou dialect and English.] Emotions and States of Mind in East Asia. Leiden: Brill, 2011.
● Paul, A. Big in China: My Unlikely Adventures Raising a Family, Playing the Blues, and Reinventing Myself in Beijing. New York: Harper Collins, 2011.
● Pegg, C. Mongolian Music, Dance, & Oral Narrative: Performing Diverse Identities. Seattle:University of Washington Press, 2001.
● Penyeh, T. Tradition and Change in the Performance of Chinese Music: Part 1.Vol.21.New York; Florence: Routledge Taylor & Francis Group Distributor, 1998.
● Pian, R. Song Dynasty Musical Sources and Their Interpretation. Hong Kong: Chinese University Press, 2003.
● Picken, L. and N.J. Nickson. Music from the Tang Court: Some Ancient Connections Explored. Vol.7. Cambridge: Cambridge University Press, 2003.
---. Music from the Tang Court. Vol.6. Cambridge: Cambridge University Press, 1997.
● Rees, H. Echoes of History: Naxi Music in Modern China. New York, Oxford: Oxford University Press, 2000.
---. Lives in Chinese Music. Urbana: University of Illinois Press, 2009.
● Rogger, B., and M. Sattler. Roche Commissions: Chen Yi. Basel, Switzerland: Roche, 2005.
● Sampson, G. Love Songs of Early China. [In Translated from Old Chinese.] Donington,Lincolnshire: Shaun Tyas, 2006.
● Schimmelpenninck, A., and European Foundation for Chinese Music Research. Chinese Folk Songs and Folk Singers: Shan’ge Traditions in Southern Jiangsu. Chime Studies in East Asian Music. Leiden: CHIME Foundation, 1997.
● Shen, S.Y. China: A Journey into Its Musical Art. Chinese Music Monograph Series. 1st ed.Chicago: Chinese Music Society of North America, 2000.
---. Chinese Music and Orchestration: A Primer on Principles and Practice. Chinese Music Monograph Series. 1st ed. Chicago, USA: Chinese Music Society of North America, 1991.
---. Chinese Music in the 20th Century. Chinese Music Monograph Series. Chicago:Chinese Music Society of North America, 2001.
● So, J.F. Music in the Age of Confucius. Washington, D.C.Seattle: Freer Gallery of Art and Arthur M.Sackler Gallery, Distributed by the University of Washington Press, 2000.
● Stock, J.P.J. Chinese Violin Solos = Solos De Violon Chinois = Chinesische Violinsolin: A Collection of Music for the Traditional Chinese Two-Stringed Fiddle. Mainz; New York:Schott, 1998.
---. Huju: Traditional Opera in Modern Shanghai. Oxford & New York: Published for the British Academy by Oxford University Press, 2003.
● Sujata, V. Tibetan Songs of Realization: Echoes from a Seventeenth-Century Scholar and Siddha in Amdo. Leiden; Boston: Brill, 2005.[Online Book]
● Swatek, C.C. Peony Pavilion Onstage: Four Centuries in the Career of a Chinese Drama.Ann Arbor, MI: Center for Chinese Studies, University of Michigan, 2002.
● Swift, E. Women’s Role in Music in China: An Undergraduate Study of Women’s Place within Chinese Music. Toronto, ON: self-published, 1998.
● Szczepanski, B. The Instrumental Music of Wutaishan’s Buddhist Monasteries: Social and Ritual Contexts.Soas Musicology Series. Farnham, Surrey; Burlington, VT: Ashgate, 2012.
● Tan, G., and G. Li. Chinese Opera. New York: Abbeville Press, 2001.
● Thrasher, A.R. La-Li-Luo Dance-Songs of the Chuxiong Yi, Yunnan Province, China.Danbury, CT: World Music Press, 1990.
---. Chinese Musical Instruments. New York: Oxford University Press, 2000.
---. Sizhu Instrumental Music of South China: Ethos, Theory and Practice. Leiden: Brill, 2008.
● Tian, H.J., and L.B. Morris. Along the Roaring River: My Wild Ride from Mao to the Met.Hoboken, N.J.: John Wiley & Sons, 2008.
● Tsao, P. Tradition and Change in the Performance of Chinese Music. Amsterdam,Netherlands: Harwood Academic Publishers, 1998.
---. The Music of Su-Chou Tan-Tz’u: Elements of the Chinese Southern Singing-Narrative.Hong Kong: Chinese University Press, 1988.
● Wang, H., and S. Rizvi. The Music of Ink at the British Museum. London: Saffron, 2012.
● Wang, W.Z., et al. Mei Lanfang, the Art of Beijing Opera: An Illustrated Record of Mei Lanfang’s Performance. New York: Better Link Press, 2006.
● Wang, Z.T. Chinese Music in Australia, Victoria: 1850s to mid-1990s. Melbourne,Australia:Asia Foundation,1997.
● Wiant, A.A. A New Song for China. Victoria, B.C.: Trafford, 2003.
● Wong, K.C. The Age of Shanghainese Pops: 1930—1970. Hong Kong: Joint Publishing, 2001.
● Wong, S.M., and D. Kon. Impressions of a Pipa Player: Profiles of the World’s Most Premier. Singapore: Ngee Ann Polytechnic; Beaumont Publishing, 2003.
● Wong, T. W. Music of the Chinese in Sabah: The Keyboard Culture. Kota Kinabalu: Opus Publications, 2009.
● Wu, S., and Tang You-Shan. Musical Qigong: Ancient Chinese Healing Art from a Modern Master. Dumont, NJ: Homa & Sekey Books, 2001.
● Xi, Q., and Zhongyang Minzu Yuetuan (Beijing China). Chinese Music and Musical Instruments. Cultural China Series. New York: Better Link Press, 2011.
● Yang, H., and R. Ma. Contemporary Chinese Music. Beijing: New Star Press, 2013.
● Yang, H.L., and M. Saffle. China and the West: Music, Representation, and Reception. East Lansing: University of Michigan Press, 2017.
● Yatromanolakis, D. Music and Cultural Politics in Greek and Chinese Societies.Vol.1:Greek Antiquity Cultural Politics, Socioaesthetics, Beginnings. Cambridge, Mass.: Department of the Classics distributed by Harvard University Press, 2011.
● Yu, H. Ethnomusiclogy in the Audiovisual Times. Hangzhou: Zhejiang University Press, 2018.
● Yu, H., and T. Whyton. Jazz Cosmopolitanism: Chinese Perspectives in of Jazz Music in the Internet Age. Hangzhou: Zhejiang University Press, 2016.
● Yung, B., E.S. Rawski, and R.S. Watson. Harmony and Counterpoint: Ritual Music in Chinese Context. Stanford, California: Stanford University Press, 1996.
● Zhang, B.Y. Mathematical Rhythmic Structure of Chinese Percussion Music: An Analytical Study of Shifan Lougu Collections. Turku: Turun Yliopisto, 1997.
● Zheng, S. Claiming Diaspora: Music, Transnationalism, and Cultural Politics in Asian/Chinese America. [In Chinese text of cited works in appendix.] American Musicspheres.Oxford [England]; New York: Oxford University Press, 2010.
● Zhuo, S. The Chinese Zheng Zither: Contemporary Transformations. Farnham: Ashgate,2015.
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